Welcome to the book launch of Phil's latest book, The Red Dust.

the red dustMy childhood was spent on my parent’s property, west of Griffith on the edge of the Hay plain. This property was one of sixty that were a part of a soldier settlement scheme. It is dated during the 1960s.

In 65 and 66 there was a severe drought. “The Red Dust’ tells the story of the community during this dry time.

Although the novel tackles such issues as isolation, education, distance, social structure, first nation people and the aftermath of WW2 on the settlers, the novel
obsessively deals with the women who followed their husbands into this hash environment.

Marg Stirling, the main character, has difficulty finding her place in this land that offered her little. The story follows her realisation and acceptance of her lot in this
very tough land.

In this novel I have tried to capture the spirit of the outback. It’s extremes, it’s unpredictability, the constant battle to survive but most importantly it’s great peace
and beauty. It is a description of the uniqueness of this land and its effect upon the inhabitants.

It has been written as homage to my parents and the community we were a part of. 

by author Phil Aughey

 

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CHOPIN portrait 400Presented by: Anvil Creek Theatre
Venue: The Royal Exchange, Newcastle
Review: Ken Longworth, Newcastle Herald

FREDERICK Chopin, while now a much-appreciated composer, had a mixed reception in his lifetime, and preferred to perform in salons rather than in large music venues. His irritation at the demands made on him by patrons comes through in the opening moments of Phillip Aughey’s look at the factors that moulded Chopin’s life and the music he wrote. He’s railing bitterly when he comes on stage alongside a piano about the way two Scottish sisters have taken control of his movements by organising a performance tour throughout Britain.

It subsequently becomes clear from his raving that Chopin needed to get away from his long-time home in Paris after the break-up of his relationship with female novelist George Sand, and that the Scot sisters, one of whom was attracted to him, saw Britain as offering him the needed change. Branxton-based Aughey, as the writer-performer of Chopin’s Last Tour, makes the composer a very down-to-earth figure, and shows how the people and events of his life influenced his music.

The 50-minute work, which had its first performances last week at Newcastle’s Royal Exchange, a salon-style venue that would have pleased Chopin, is bound for the Edinburgh Festival Fringe which begins next week.

Audiences there, like those in Newcastle, will be fascinated when hearing the familiar music pieces played by Aughey to learn the factors that led to their writing.

The Etude No. 12, Opus 10, “Revolutionary”, for example, was his response to a Russian invasion of Warsaw in November, 1831, a year after he left Poland at age 20 to move to Paris. His love for his homeland is very evident in the majestic piece.

Likewise, when the composer talks about his life with George Sand, the Prelude in E Minor, written on the warm Mediterranean island, Majorca, when he escorted the woman and her children there in 1838 to escape a bitter Paris winter, shows his affection for her at that time. And the passionate feelings he had for family members, who remained in Poland after his departure, comes through in the gentle finale, Nocturne No 20 in C Sharp Minor, which he dedicated to an older sister, Ludwika, at the time of his departure.

Chopin’s Last Tour, set in Scotland 12 months before he died from tuberculosis he had long suffered, gives Chopin a humanity that makes his piano music even more engaging.

Reviews

Newcastle Herald - 19 July 2015

Newcastle Herald - 28 July 2015